As staffs get smaller and smaller and smaller, it gets harder to get good production of commercials on radio stations. Commercials make up 20% or more of the time on your station's air, so having the best quality material you can get is really important.
The issue, especially in smaller markets is where does the talent come from? The morning guy can only read so many ads. The sales guys are, well, sales guys. In many markets, you may not even have a production director anymore, swept away in the yearly cuts.
So where do you get good production cheap?
You can barter it. But the demands on inventory some syndicators charge in barter time is truly theft. Then again, doing barter commercials to get more commercials just seems so wrong.
The other thing you can do is outsource your voice overs.
Here are two services you can begin using today to get good quality work at pretty low rates. Fivrr.com has a few pretty good voice over gigs available for purchase most anytime. The talent working here varies from pretty good, to the "I want to be a DJ" types, but for $5 it is a great way to add a different sound to the ads on your radio station. $5 is the base rate. Some gigs even provide full production services for a few dollars more.
The second way I've used is elance.com. One of the world's biggest database of freelancers, Elance is a great way to search a wide variety of talent. Many of these voice over people are pros who are always looking to pick up a little extra cash.
You simply post your job, say you are looking for someone to occasionally read an ad for you. Determine whether you will pay by the hour or by the job. And wait for the proposals to come back to you.
I posted a job on Friday and had 93 responses by Monday morning. There are all kinds of voices, styles, and types to use for your needs.
Two things to note. One, you will need a cash budget to make this happen. It doesn't have to be big, but it does need to be cash. If your boss won't come up with the money, suggest he add it to a sales package.
No really.
I was able to hire a big market sounding non union voice for $20 per :30 ad. Any sales person should be able to get a $20 talent fee.
Second, it will take longer to turn around production, so your planning needs to be better than the "I need it tomorrow" variety. Don't be afraid to negotiate your offers. Fire back with a number you can afford and see what happens. Rates on elance.com vary all over the place.
The quality of the ads on your station can play directly into your stations revenue. It will give your copy work a breath of fresh air rather than running around the station trying to find someone to do that 5 voice ad that was just submitted. Plus you can get real regional or international voices instead of an attempt to impersonate an accent. A French speaking person doing English. Oui. An Aussie doing their form of English. Right on ya mate.
Elance.com and Fivrr.com are great ways to make your station ads sound better for not much money.
Monday, August 26, 2013
Wednesday, April 10, 2013
Speaking the Right Language
Years ago, I visited Puerto Vallarta for vacation. Even got to play a golf course that was one of the World Championship Golf tournament courses. You know, the ones Tiger Woods used to own. The course was so tough, especially for a hacker like me, I was required to have a local as a caddy. Fortunately, I know a decent amount of Spanish. Fortunately, my caddy's English was better than my Spanish. It didn't help my golf game. (Losing 18 balls in a round is a bad round of golf no matter where you are.)
Maybe it was not having my regular clubs. Not!
I'm sure you have probably visited a foreign country whose language differs from ours. In a lot of ways, the digital media landscape's language is different than ours as well.
For grins, I was looking at the IAB website this morning. Yes, even the web guys have their own advertising bureau, the Interactive Advertising Bureau. We in radio may be justifiably proud of the RAB and its programs, but the IAB really takes their training to a whole new level. It starts with the terminology. We have ATE, TSL, Cume, etc.
So how much do we know about digital terminology?
Here are some required terms to know from the IAB certification exam. How many of these do you know?
ATF
BT
BTF
CPA
CPC
CPD
CPE
CPM
CPO
CPS
CPV
CTC
CTR
CTV
DMA
DMP
DR
DSP
eCPM
FEP
GRP
HTML
IAB
IO
IP
KPI
LDA
MMM
MRAID
MSA
OOH
OPA
OVP
PII
POP
RFI
RFP
ROAS
ROI
ROS
RPM
RSS
RTB
SEM
SEO
SOV
SSP
T&C
TRP
UGC
VAST
VMAP
VOD
VPAID
WAP
WWW
Try here to see how you did.
The terms come straight for the IAB Study Guide for their Digital Media Sales Certification examination. There are a few terms that cross between the two media disciplines. DMA and GRP are a couple of pieces that are exactly what we radio guys know them to be.
Whether you are in programming or sales, knowing the language like a native is always going to get you better service. While radio has been trying to jump into the digital land for the last decade, it might help to know the language.
Maybe it was not having my regular clubs. Not!
I'm sure you have probably visited a foreign country whose language differs from ours. In a lot of ways, the digital media landscape's language is different than ours as well.
For grins, I was looking at the IAB website this morning. Yes, even the web guys have their own advertising bureau, the Interactive Advertising Bureau. We in radio may be justifiably proud of the RAB and its programs, but the IAB really takes their training to a whole new level. It starts with the terminology. We have ATE, TSL, Cume, etc.
So how much do we know about digital terminology?
Here are some required terms to know from the IAB certification exam. How many of these do you know?
ATF
BT
BTF
CPA
CPC
CPD
CPE
CPM
CPO
CPS
CPV
CTC
CTR
CTV
DMA
DMP
DR
DSP
eCPM
FEP
GRP
HTML
IAB
IO
IP
KPI
LDA
MMM
MRAID
MSA
OOH
OPA
OVP
PII
POP
RFI
RFP
ROAS
ROI
ROS
RPM
RSS
RTB
SEM
SEO
SOV
SSP
T&C
TRP
UGC
VAST
VMAP
VOD
VPAID
WAP
WWW
Try here to see how you did.
The terms come straight for the IAB Study Guide for their Digital Media Sales Certification examination. There are a few terms that cross between the two media disciplines. DMA and GRP are a couple of pieces that are exactly what we radio guys know them to be.
Whether you are in programming or sales, knowing the language like a native is always going to get you better service. While radio has been trying to jump into the digital land for the last decade, it might help to know the language.
IAB Certification Study Guide
Terms for the IAB Certification Study Guide
ATF
Above The Fold
BT
Behavioral Targeting
BTF
Below The Fold
CPA
Cost Per Acquisition
CPC
Cost Per Click
CPD
Cost Per Download
CPE
Cost Per Engagement
CPM
Cost Per Thousand
CPO
Cost Per Order
CPS
Cost Per Sale
CPV
Cost Per View
CTC
Click To Continue
CTR
Click Through Rate
CTV
Click To View
DMA
Designated Market Area
DMP
Data Management Platform
DR
Direct Response
DSP
Demand Side Platform
eCPM
effective Cost Per Thousand
FEP
Full Episode Player
GRP
Gross Rating Point
HTML
Hyper-text Markup Language
IAB
Interactive Advertising Bureau
IO
Insertion Order
IP
Internet Protocol
KPI
Key Performance Indicator(s)
LDA
Legal Drinking Age
MMM
Mixed Media Modeling
MRAID
Rich Media Player Ad Interface Definition
MSA
Master Service Agreement
OOH
Out of Home
OPA
Online Publisher Ad
OVP
Online Video Platform
PII
Personally Identifiable Information
POP
Point Of Purchase
RFI
Request For Information
RFP
Request For Proposal
ROAS
Return On Ad Spend
ROI
Return On Investment
ROS
Run Of Site
RPM
Revenue Per Thousand
RSS
Real Simple Syndication
RTB
Real Time Bidding
SEM
Search Engine Marketing
SEO
Search Engine Optimization
SOV
Share Of Voice
SSP
Supply Side Platform
T&C
Terms and conditions
TRP
Target Rating Point
UGC
User Generated Content
VAST
Video Ad Serving Template
VMAP
Video Mobile Ad Player
VOD
Video On Demand
VPAID
Video Player Ad Interface Definition
WAP
Wireless Application Protocol
WWW
World Wide Web
ATF
Above The Fold
BT
Behavioral Targeting
BTF
Below The Fold
CPA
Cost Per Acquisition
CPC
Cost Per Click
CPD
Cost Per Download
CPE
Cost Per Engagement
CPM
Cost Per Thousand
CPO
Cost Per Order
CPS
Cost Per Sale
CPV
Cost Per View
CTC
Click To Continue
CTR
Click Through Rate
CTV
Click To View
DMA
Designated Market Area
DMP
Data Management Platform
DR
Direct Response
DSP
Demand Side Platform
eCPM
effective Cost Per Thousand
FEP
Full Episode Player
GRP
Gross Rating Point
HTML
Hyper-text Markup Language
IAB
Interactive Advertising Bureau
IO
Insertion Order
IP
Internet Protocol
KPI
Key Performance Indicator(s)
LDA
Legal Drinking Age
MMM
Mixed Media Modeling
MRAID
Rich Media Player Ad Interface Definition
MSA
Master Service Agreement
OOH
Out of Home
OPA
Online Publisher Ad
OVP
Online Video Platform
PII
Personally Identifiable Information
POP
Point Of Purchase
RFI
Request For Information
RFP
Request For Proposal
ROAS
Return On Ad Spend
ROI
Return On Investment
ROS
Run Of Site
RPM
Revenue Per Thousand
RSS
Real Simple Syndication
RTB
Real Time Bidding
SEM
Search Engine Marketing
SEO
Search Engine Optimization
SOV
Share Of Voice
SSP
Supply Side Platform
T&C
Terms and conditions
TRP
Target Rating Point
UGC
User Generated Content
VAST
Video Ad Serving Template
VMAP
Video Mobile Ad Player
VOD
Video On Demand
VPAID
Video Player Ad Interface Definition
WAP
Wireless Application Protocol
WWW
World Wide Web
Subscribe to:
Posts (Atom)